Greybound
ModelsPedalsDistortion

Godess One

Reverse-engineered Godess One-style distortion engineering baseline for Greybound pedal modeling.

Godess One is Greybound's first distortion pedal model. It targets a Godess One-style control surface: distortion, tone, level, and a Standard/Custom voicing switch. Standard mode keeps the tighter, brighter hard-clipped character; Custom mode adds more gain, body, and mid fill.

Circuit Diagram

Diagram data lives in knowledge/models/pedals/distortion/diagrams/godess-one.diagram.json5.

This JSON5 graph is a documentation and renderer artifact. It maps the buffered input, pre-emphasis, clipping stage, tone network, mode-dependent voice, and output source impedance to the current Rust emulation.

Circuit graph

Godess One distortion documentation graph

documentationrust-model

Baseline Assumptions

  • Buffered input with about 1 MOhm input impedance.
  • Low output impedance suitable for driving another pedal or the amp input.
  • Input coupling that removes DC before the drive network.
  • Pre-emphasis before clipping to keep the distortion bright and articulate.
  • Harder symmetrical diode clipping than the overdrive models.
  • Tone control that blends body and edge after clipping.
  • Standard and Custom voices that share the same control set but alter gain, low/mid body, and top-end emphasis.

Controls

  • distortion: gain into the clipping stage.
  • tone: low/high post-clip tone blend.
  • level: final output level into the next load.
  • mode: standard or custom.
  • bypass: routing state; active circuit state remains private to the pedal instance.

External Boundaries

The pedal receives and emits voltage plus impedance:

  • input source: guitar pickup or previous pedal output,
  • input load: Godess One input impedance plus cable capacitance memory,
  • output source: pedal output voltage plus output impedance,
  • output load: amp input, next pedal, or FX-loop return.

ConnectionState owns cable capacitance and source/load division. Godess One should not mutate amp internals.

Current DSP Approximation

The first implementation is a scalar approximation:

  • high-pass input coupling,
  • mode-dependent pre-emphasis and body mix,
  • pre-clip low-pass smoothing,
  • diode-pair soft limit plus hard clipping contribution,
  • post-clip smoothing,
  • low/high tone blend with mode-dependent mid fill,
  • output low-pass smoothing and low source impedance.

This is not yet a component-exact discrete analog solve. It is intentionally shaped around useful engineering boundaries first so it can participate correctly in arbitrary rig ordering.

Validation Gates

The model is not component-exact until:

  • input and output impedance targets are measured against reference data,
  • distortion sweep changes clipping density and sustain without unstable level jumps,
  • tone sweep changes edge and body across several input amplitudes,
  • Standard and Custom modes are validated against reference captures,
  • output level into 1 MOhm, 500 kOhm, 220 kOhm, and 100 kOhm loads behaves plausibly,
  • SPICE or measured captures validate individual stage responses.

Measurement Protocol

Hardware or SPICE captures should include:

  • supply voltage and current draw,
  • input impedance at 100 Hz, 1 kHz, 5 kHz, and 10 kHz,
  • output impedance across level settings,
  • bypass behavior,
  • distortion, tone, and level potentiometer taper,
  • Standard and Custom mode switch behavior,
  • pre-emphasis output, clipping output, tone output, and final output probes,
  • sine tests at 82 Hz, 110 Hz, 220 Hz, 440 Hz, 1 kHz, 3 kHz, and 6 kHz,
  • input amplitudes from 20 mV RMS to 1 V RMS, with large amplitudes only from a buffered source.

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